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Breathless: Jean-Luc Godard, Director (Rutgers Films in Print series), by Dudley Andrew
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Breathless, a low-budget film, came to be regarded as one of the major accomplishments of the French New Wave cinema of the early sixties. It had a tremendous influence on French filmmakers and on world cinema in general. Beyond its significance in film history, it was also a film of considerable cultural impact. In Breathless, Jean-Luc Godard captured the spirit of a disillusioned generation and fashioned a style, which drew on the past, to parade that disillusionment. In his introduction, Dudley Andrew brilliantly explains what Godard set out to accomplish in Breathless. He illuminates the intertextual and cultural references of the film and the tensions withiin it between tradition and innovation. This volume also features, for the first time in English, the complete and accurate continuity script of Breathless, together with Francois Truffaut's surprisingly detailed original treatment. Also included are an in-depth selection of reviews and criticism in French and English; a brief biographical sketch of the director's life that covers the development of his career, as well as a filmography and selected bibliography. Dudley Andrew is a professor of film studies and comparative literature at Yale University. He is the author of Concepts in Film Theory, Andre Bazin, Flim in the Aura of Art, and other books on film.
- Sales Rank: #1247804 in Books
- Brand: Brand: Rutgers University Press
- Published on: 1988-01-01
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .56" w x 5.98" l, .79 pounds
- Binding: Paperback
- 248 pages
- Used Book in Good Condition
About the Author
Jean-Luc Godard, one of the founding fathers of the French New Wave, has been an influential force in film since his first feature-length film, "A Bout de Souffle ("Breathless). Today, his influence extends across such key contemporary film-makers as Robert Altman, Martin Scorsese, Jim Jarmusch, Wim Wenders, Steven Soderbergh and Quentin Tarantino.
Youssef Ishaghpour is Professor at University Rene Descartes, Paris V. His writings on cinema, painting, philosophy and literature have been widely translated.
Jean-Luc Godard, one of the founding fathers of the French New Wave, has been an influential force in film since his first feature-length film, "A Bout de Souffle ("Breathless). Today, his influence extends across such key contemporary film-makers as Robert Altman, Martin Scorsese, Jim Jarmusch, Wim Wenders, Steven Soderbergh and Quentin Tarantino.
Youssef Ishaghpour is Professor at University Rene Descartes, Paris V. His writings on cinema, painting, philosophy and literature have been widely translated.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Good Piece of Information About a Great Movie
By musiclover13
This book is a good guide to one of the most interesting movies of our time. This book not only gives the reader some background material about how it came to be, but it also has the script of the movie included for you to read. Even though there was no real script when the film was made, the editor of the book was able to break down the movie shot by shot and give the reader some sort of continuity script. The end of the book is filled with interviews and reviews of the film.
I think this book is a very good tool for those interested in the movie "Breathless" because it helps you understand not only the movie a little better, but the method behind Jean-Luc Goddard's madness. I would definitely recommend this book to those who want to learn more about this innovative and extremely interesting piece of film!
0 of 0 people found the following review helpful.
Informative description of Godard's classic French New Wave film
By Christopher Culver
Published in 1987 in the Rutgers Films in Print series, this book by Dudley Andrew is an ample introduction to Jean-Luc Godard's classic 1959 film A BOUT DE SOUFFLE (Breathless). Andrew has written an introductory essay and collected interviews, reviews and commentaries from French and US publications of the early Sixties. There's also Fran�ois Truffaut's three-page treatment that Godard transformed into this, his first feature film. The largest portion of the book is a continuity script that Andrew produced from the film print, ignoring the subtitles and translating the spoken French dialogue. into English.
While A BOUT DE SOUFFLE (Breathless) is no opaque intellectual film that requires some special education to follow and enjoy, Andrew's book will prove informative to those wanting a greater appreciation of the script and the film's reception. English subtitles, even on recent releases like the Criterion Collection's, necessarily make compromises and leave some of the dialogue untranslated. Andrew's continuity script gives readers the film's full dialogue and occasionally points out instances of the late 1950s slang employed by character Michael Poiccard. The reason for the film's great impact is less easy to understand today, after the film's innovations have become an everyday part of filmmaking, but the contemporary reviews show what particular details shocked the first filmgoers to see Godard's work.
Only the lack of the original French dialogue (which could have been presented facing-page) and the scant commentary (as opposed to the many reviews) keep this good book from being a great one. However, those who loved Godard's work and want to read more about it will find Andrew's treatment highly informative.
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